'Men In Black International'

Men In Black International

Greg Vellante READ TIME: 2 MIN.

Available digitally today!

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The joke's already been made that "Men in Black: International" is itself a neuralyzer, the small device used by the titular organization in order to delete people's memories. It's an easy joke to make, considering how forgettable the latest cash-grab in this franchise is, and it seems humorously appropriate to use a redundant witticism to describe an equally mundane movie.

Gruelingly generic in every way, "Men in Black: International" is a structural, by-the-motions example of banal Hollywood consumerism. The film's familiar storyline is passed off as fresh material when really the only difference is that this time there are black-suited, alien-fighting agents that audiences are already accustomed to. Plus, with two Marvel Cinematic Universe actors assuming the main roles this time around, mainstream audiences are even more likely to fall for this movie hook, line, and sinker.

The actors in question are Chris Hemsworth and Tessa Thompson, who both appeared in "Thor: Ragnarok" and "Avengers: Endgame," but aside from their name-brand recognition, there is sadly a limited amount of charm and chemistry to their pairing. In this new iteration, Thompson plays Agent M, a newbie to the MiB agency who is witty, determined and level-headed.

This makes her a perfect foil to Hemsworth's recklessly free-wheeling Agent H, or so one would think. Unlike Will Smith and Tommy Lee Jones, there is insufficient comic and emotional harmony between Hemsworth and Thompson to establish them as a dynamic duo worth spending time with. It's partly because of the wooden dialogue they have to work with, but it's primarily due to the movie's paint-by-numbers execution of tired tropes we've witnessed time and time again.

From the get-go, "Men in Black: International" proves it has nothing unique to offer. It's a slave to story strokes that move the narrative forward with zero momentum, mainly because these beats have been pummeled into pop cinema productions for decades. The first act introductions. The second act action set pieces. The third act bad guy "reveal." It's all so obvious and overdone, and it's an absolute slog to get through as we weave through the motions of something that is so generic you'd expect CVS to sell it over the counter.

We even get the annoying sidekick character, embodied here by a tiny alien named Pawny, voiced by Kumail Nanjiani. Pawny, upon his introduction, doesn't know what the word "agent" means, yet he's able to throw out wise-ass quips throughout the whole movie that include words and phrases like "ass clown" and "oh, shit!" I spent the whole movie hoping somebody would step on the little bastard.

"Men in Black: International" is a mindless entertainment in that it doesn't have a mind of its own. Even as I write about this movie, I find it slowly slipping away from my memory like water passing through a colander. Make all the neuralyzer jokes you want. This movie doesn't deserve original material, as it doesn't offer any itself.


by Greg Vellante

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