Gift Guide: For Budget Minded Indy Filmmakers
Full-bodied cameras known as SLRs have long been able to shoot high-definition video besides still images.
But when budding filmmakers use them, production results vary. It’s not just the level of talent, but the additional gear available for the job. Fortunately, accessories designed specifically for shooting video with SLRs have become much more affordable.
I’ve had a lot of experience with accessories over the years in my work as a multimedia journalist for The Associated Press. My job entails shooting a blend of video and photos on assignment. Here’s a look at some of the best products I have found to add polish to video productions.
- Cinetics CineMoco System ($850):
A little motion can go a long way to add life to otherwise stagnant shots. To that end, the Cinetics CineMoco motorized dolly and rail system is a high-grade addition to a filmmaker’s bag of tricks.
The package consists of a wheeled plate to hold the camera on a tripod head, a rail system for the wheeled plate to roll on and a programmable motor that inches along at the speed and interval you desire. I shot both HD video and time-lapse stills with a Canon 5D Mark II and the new Nikon D610. I found the system’s control and performance to be exceptional.
I synced the Canon camera to the CineMoco using an optional cable that allowed me to program the total number of shots and the interval between shots, as well as the distance travelled along the rail. The control is precise to the centimeter. (If you want inches, you’ll need to change the settings.) The menus on the motor’s screen are easy to navigate.
The results turned stagnant shots of my neighborhood community garden into lush explorations of the fauna with the movement and life. Hand-held jitter would have cheapened the footage, but the smooth dolly action added a professional luster to the shots.
The rail system, including the wheeled plate that rides on the rails, can be mounted on tripods, placed on table tops or laid on the ground. I would highly recommend this for mid- to full-length productions that need more variety among shot sequences.
- Beachtek DXA-SLR PRO ($449):
Bad sound is a bad thing. It can ruin video and force you to redo a shoot. Badly acquired sound cannot always be rescued in post-processing and editing.
The Beachtek DXA-SLR PRO can set you on the right path at the start. This audio adapter mounts on to the base of your camera and routes audio from up to two microphones, which aren’t included. You can adjust volume and listen to the results in real-time through a headphone jack, if your camera has one.
Recording sound through the Beachtek helped eliminate the camera’s guesswork. It allowed me to focus microphones on my sound sources instead of relying on the camera’s built-in mic to manage, and often muddle, the mix.
Beachtek has produced similar models for a few years now. The DXA-SLR PRO is a smart buy if you care about proper audio management.
- Joby GorillaPod Focus ($150):
Most filmmakers probably already have a nice tripod. But that doesn’t mean it’s the right tripod for every job. This tripod from Joby has multi-jointed legs that can be bent and wrapped around tree branches, bench backs and other places where a regular, larger tripod is impractical.
It’s easy to switch between my regular tripod and the GorillaPod, thanks to its ball head mount with a removable baseplate. I can just move the baseplate to the tripod, as it uses a standard size. The legs are strong and held my full-sized camera and heavy pro lens in place firmly.