Entertainment » Music

Dig These Discs :: NKOTB, The Flaming Lips, OMD, Olly Murs, Charli XCX

by Winnie McCroy
EDGE Editor
Tuesday Apr 16, 2013

The old battles the new in this installation of Dig These Discs, as OMD and NKOTB release new albums, reliving their rock heyday. Longtime ambient rockers The Flaming Lips drop a psychedelic sound-off, and newcomers Olly Murs and Charlie XCX put a shiny new face before the masses.

"English Electric" (OMD)

The British New Wave outfit Orchestral Manoeuvres in the Dark have been rocking since the late ’70s, peaking in the late ’80s with "If You Leave" from the "Pretty in Pink" soundtrack. In 2006, they reformed, with the crew of Andy McCluskey on vocals and bass, Paul Humphreys on keyboards, Malcolm Holmes on drums and Martin Cooper on keyboards and sax. Their new album "English Electric," launched with a short teaser track of "Decimal," with additional video premiers of "Atomic Ranch" and "Metroland." "The overarching feel tends to be a sense of loss, of melancholia, that things haven’t turned out the way you wanted them to, whether it be with technology or personal relationships," said McClusky. The album also features a reworking of the track "Kissing the Machine," from their 1993 album "Esperanto," that presents the best of the old synthpop vibes we still love today. Their 12th album is a bit like that: something new meshed with an old favorite. After a mini-intro Asian-language blurb, they set into "Metroland, a very metered electronic set piece with a jangly feel to it. "People come and people go but who they are I’ll never know, I’m unaware of what they say, I really don’t care anyway," they sing in the catchy "Night CafĂ©." OMD goes back to the jumpy intro in "The Future Will Be Silent," which reminds one of the early roots of the techno craze. The thrumming guitars in "Helen of Troy" make it powerfully listenable, and the electro percussion and effects in the otherwordly "Our System" make you remember why you loved OMD in the first place. The interlude track "Decimal" again dips into the digitized voice noting, "you have two messages," meshes into a cacophony, and then settles down into a love song, with the lyrics, "If only I could stop them falling, falling down like rain, if only I could stop those tears that knock you down again." "I want a house and a car and a robot wife," launches "Atomic Ranch," a futuristic song that sounds like how we envisioned the future back in the ’80s. The time is right for nostalgia around the bands we loved back then, and OMD has capitalized on that with "English Electric," an album that condenses everything the U.S. loves about them, and fans it out in a (mostly) new way. Their track "Dresden" is a great example of this, delivering the OMD sound in a shiny new package.

"10" (NKOTB)

They’re not new, they’re no longer kids and they sure as hell have been around the block a few times since they first formed in 1984, the brainchild of producer Maurice Starr. Since that time, the New Kids on the Block -- Jordan and Jonathan Knight, Joey McIntyre, Donnie Wahlberg and Danny Wood -- have seen their share of ups and down, sold 80 million records, broken up and gotten back together. Last year, they struck nostalgia paydirt when they teamed up to go on tour with rival boy band group Backstreet Boys. They’ll try to hit gold twice by teaming up this summer with opening bands 98 Degrees and Boyz II Men. Knight upset some fans last month when he walked off stage during the middle of a New York concert. He has been vocal in the past about his struggle with anxiety. He should chill; the new album "10" isn’t half bad! The boys look to a brighter future in "We Own Tonight," a harmonious slow pop song with the lyrics, "let this world keep on turning, this chance could be the last, don’t let it go...We own tonight, don’t matter what we did before, cause everything is beautiful and right here right now belongs to you and I." A pounding drum intro gives octane to "I Like The Remix," and an electro keyboard flourish kicks off "Fighting Gravity." "Take My Breath Away," is classic, old-school style NKOTB, a sappy love song with the whole crew singing earnestly in unison. In the following song, the girl is less of a prize, as they bemoan having to leave but not wanting to go, but recognize that their love is "Wasted on You." They go back to their early ’80s sound in "Miss You More," sadly crooning, "you don’t even know what you do to me!" Their love softly blows their mind in "The Whisper," and they battle the green monster in "Jealous Blue." The dance track "Crash" is among the best of the collection, loaded with electro samples and dubstep beats. "Now or Never" also shines, with a modern, fresh R&B sound. They finish with "Survive You," a classic breakup song. They may not be quite as "new" as when they first bounced out of Boston, but NKOTB is still breaking hearts across the nation. Check their summer tour for a taste of that good old boy-band pop.

"Right Place, Right Time" (Olly Murs)

English performer Olly Murs made his name as a runner-up on Season Six of "The X Factor" in 2009, cementing that success with a hit self-titled debut album, which debuted at number one on the UK charts. He followed it up with the soulful "In Case You Didn’t Know," and now, after three postponements, it seems to be the "Right Place, Right Time" for his third album to drop. Murs’ deep voice is well suited to the more soulful interpretations he now favors, and he finds a lot of success in the extra flourishes he adds to his music, like classic piano interludes or unexpected bongo drums. He opens with the catchy "Army of Two," singing, "Soldiers follow my lead, repeat after me, faith is the bullet, hope is the gun and love is all we need." Radio play is in the future for the poppy "Heart Skips a Beat," with Chiddy Bang, and is already secured for his catchy single, "Troublemaker," featuring Flo Rida. In this cut, Murs sounds a bit like early Justin Timberlake, circa his boy-band days. But he’s not afraid to flex his range, rocking around the clock with a ’50s-era boy band sound in "Dance With Me Tonight." He goes for a bouncy pop sound in the catchy "Hey You Beautiful," and bares his heart and soul in the title track, "Right Place, Right Time," singing, "All I see is you and I, you’re the only life that I need tonight." He flexes his vocal prowess in "Oh My Goodness," singing, "you’ve got me dreaming of a life that anybody else would die for." The Deluxe Edition of the album also includes four bonus tracks, including "What a Buzz," the only track in which you can hear his English accent at work, and "Cry Your Heart Out," a surprisingly upbeat breakup song. A nice addition is his piano ballad, "I Need You Now." Winners of television reality singing contests don’t always translate to the best celebrity musicians, but in the case of Murs, the kid is alright. At long and dear last, he can now bank on seeing the returns on some serious hits in this new collection.
(Columbia Records)


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