Entertainment » Music

Dig These Discs :: Lighthouse And The Whaler, P!nk, Nelly Furtado, Mumford & Sons, No Doubt

by Winnie McCroy
EDGE Editor
Tuesday Oct 2, 2012

Nelly Furtado breaks the bank with a full slate of hits, P!nk shows off her true colors with "The Truth About Love," newcomers The Lighthouse and the Whaler unleash their sweeping melodies, and Mumford & Sons works the mandolin and banjo to great effect.

"Spirit Indestructable" (Nelly Furtado)

When Nelly Furtado first hit the music scene in 2001, her sweet single, "I’m Like a Bird" sent ripples through the music industry, winning her a 2002 Grammy Award for Best Female Pop Vocal Performance. Three years later, she emerged like a butterfly from a sexy cocoon with "Loose," her saucy album with a Spanish vibe that featured songs like "Promiscuous" and "Maneater." Was this the same sweet, folksy girl who, several years before, was so like a bird? It was, and her sexy 180 attracted a lot of media attention. The album, produced by Timbaland, was a worldwide commercial success, and was followed by a full-length Spanish album that won her a Latin Grammy. Now, she is back with "The Spirit Indestructable," her fourth English-language studio release -- an album that Furtado admits almost didn’t happen, as she was "seriously considering retiring from her career as a pop musician." One listen to the 18 tracks on her new album, and you will be glad she changed her mind. Furtado seizes on the idea of nostalgia in this album, revisiting the themes of her past in a new, fresh way with influences of reggae, alternative and urban music. The title song, digitally released on April 17, is her ode to the spirit that resides in all of us, and triumphs over adversity: "I had a spirit indestructible, a heart that was made pure, unbreakable and that’s for sure." The song, produced by Rodney "Darkchild" Jerkins, begins with spare acoustics and morphs into a slamming R&B/pop stunner. She puts on her wide-leg pants and big earrings in "Big Hoops," a swagger song about a young Nelly finding liberation through hip-hop and "music jams" in suburban Canada. The chorus of "the bigger the better" is catchy, and the spoken-word break into a dubstep beat is crafty songmaking. She stays in the past with "Parking Lot," a bouncy electro-pop track about her old stomping grounds. She meditates on personal relationship and life goals in "Bucket List," singing, "In this lifetime, I want you to be in mine, because I took a long look at the bucket list and I saw that at the bottom it said ’Our first kiss.’" She revisits this theme in "Circles," an electronic pop produced by Passion Pits’ lead singer, Mike Angelakos. The nostalgia continues in "Waiting for The Night," a remembrance of a diary Furtado kept as a smitten 16-year-old during summer vacation in her parents’ birthplace of S. Miguel, Portugal. "End of the World" is another sweet love song she wrote with Rick Nowels. She teams up with Dylan Murray for the lost love song, "Be Okay." The reggae track "Don’t Leave Me" takes the viewpoint of a woman at wits end with her love life, and Furtado is her own worst "Enemy" in this dark song produced by Salaam Remi. Furtado tackles spirituality in "Miracles," singing, "I will never again walk alone." She revisits this theme in the unexpected rocker "Believers (Arab Spring)" and "The Most Beautiful Thing," which soars with help from Sara Tavares. Furtado brings the sexy back in "Hold Up," singing, "Wait a minute I wanna talk to ya," with funky auto-tune flourishes. This sexy vibe resurfaces in "Something," featuring Nas. "All of my dreams have come true but something seems wrong," Furtado sings in "High Life," a regret-tinged song about leaving her hometown and never looking back, with a rap break by Ace Primo. She wraps the album up with "Thoughts," a laid-back track featuring The Kenyan Boys Choir singing in both English and Swahili, with a Tiesto Remix. Where most artists would stick to 10 or 12 songs, Furtado gives the full court press to "The Spirit Indestructable." Hopefully, her hard work will yield big returns.
(Interscope/Mosley Music Group)

"The Truth About Love" (P!nk)

Want to know the truth about love? "It’s a bitch," says Alecia Beth Moore, aka P!nk. In "True Love," the hottest track on the album, she captures love’s push and pull perfectly, singing, "Sometimes I hate every single stupid word you say, sometimes I wanna slap you in your whole face...you’re an asshole, but I love you." Likewise, she sings, "You think I’m just too serious/ I think you’re full of shit, My head is spinning, so blow me one last kiss," she sings in "Blow Me (One Last Kiss)." The explicit version (and why wouldn’t you go for it?) chronicles a shit day, dancing alone, fighting, and dealing with whiskey dick. "Seven seconds, that’s all you have to make your point; my attention’s like an infant trying to crawl around the joint," she sings in her opening cut, "Are We All We Are," the title of which sounds like the kids’ call and response during hide and seek. Since she broke out of her teenage girl group "Choice" and hit the pop scene in 2000, P!nk’s life has been charmed, with hits like "There You Go," "Get the Party Started," "Stupid Girls," and "So What." She has sold 40 million albums, making her one of the best-selling artists in history, and has taken home three Grammy Awards and five MTV Video Music Awards for her 17 Top 20 Billboard hits. Earlier this year, VH1 named her number 10 on their list of the 100 Greatest Women in Music. She sings a song of resilience in "Try," singing, "Where there is desire there’s going to be a flame, where there is a flame someone’s bound to get burned/ but just because it burns doesn’t mean you’re gonna die/ you gotta get up and try and try and try." She shows off her piano-playing chops in the slow song, "Just Give Me a Reason," and "The Great Escape," and gives a solid acoustic guitar performance in the sad love song, "Beam Me Up." P!nk rocks headbanging style in "How Come You’re Not Here," asking, "Did you go for a long walk off a short pier?" "I’m not a slut, I just love love," she says at the opening of "Slut Like You," about a girl who operates like the fellas do. In the title track, she harnesses an old-time ’50s sound, singing, "The truth about love, is it comes and it goes/ a strange fascination with his lips and toes." A similar message comes through in "Walk of Shame." Since early hits like "Stupid Girls," P!nk has always embodied this defiant brand of feminism; she may not be standing on the picket line, but she’ll sure as shit play just as hard as the boys do. "The Truth About Love" is chock full of hits just waiting to win awards, rivaling "M!ssundaztood" for potential hits.

"This is An Adventure" (Lighthouse and The Whaler)

This celebrated Cleveland band whose name was inspired by "Moby Dick" has already hit the road on a six-week tour from Seattle to New York City to promote their new album, out in stores last week. In "This is An Adventure," the team of Aaron Smith, Michael LoPresti, Matthew LoPresti, Mark Poro and Steve Diaz build on their initial success of their 2009 self-titled, self-produced album. The 10 tracks show off their melodic, indie-pop folk rock, which critics have dubbed, charmingly, as "rustic." Hit singles include "Venice," with its precise keyboard tracks, sweeping melodies and melodic chorus of "oooh ohh, why don’t we fall in love?" "Little Vessels" is another early critics pick, intriguing with its open plea to "Go, come along and let yourself show, the way it was when you were growing older, the way it was when you were saying hold on tight, you are not alone." A flourish of glockenspiel opens "Pioneers," with Michael LoPresti singing the lyrics, "I was wishing we could go back to before age impaired our speech/ and I was wishing we could go back to the house/ Our hands pressed in the concrete." The bouncy rhythm of "Chromatic" could be the band’s origin story, as they sing, "I was set sailing like a character in a book, I think this is what it’s like to be free." "The Adriatic" rolls along like a ship on the sea, and finishes with gorgeous string orchestration. A steady percussion beat keeps "Burst Apart" moving, and muted cymbal work makes "We’ve Got the Most" soar. "I knew, oh I knew you’ve got green eyes, I feel the wind between the trees and open skies," sings LoPresti in the album’s title track. A similar sound is captured in "Iron Doors." "Untitled" is a chipper song that has each sentence ending on an up-note, with fancy string work in between, closing with the another set of "oooh-ooh-ohh"s. Perhaps it is due to their namesake, but there is a very literary quality to the songs of The Lighthouse and the Whaler. They draw the listener in, like a story being shared before a fire. This slapdash outfit has seemingly found an eager audience for these stories; more power to them as they build on their early success.


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