December 20, 2019
The Two Popes
READ TIME: 4 MIN.
Now streaming on Netflix!
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People tend to forget that there are two living popes: One, the globe-trotting, media-savvy
With all the pomp and beauty of the Vatican on display and the spiritual weight brought with pairing these men, it may be the most rarified buddy movie ever made. At first, though, the two aren't really friends, at least when the death of Pope John Paul II in 2005 brings the cardinals to Rome to elect a new pope. During the conclave, the politically savvy Benedict (formerly the Austrian cardinal Joseph Ratzinger, played by Anthony Hopkins) snubs Francis (Jorge Bergoglio, the archbishop of Bueno Aires, played by Jonathan Pryce), who finishes second in the balloting. But a few years later, Benedict summons Bergoglio to the Vatican. "I disagree with everything you say," he tells him, but he is in the midst of a crisis of conscience and sees his rival as the right choice to lead the Church in the 21st century.
It sets up a neat schism for debate as each represents conflicting wings of Catholicism. Benedict is old school: An authoritarian with rigid beliefs. Francis, though, longs for a more inclusive church, one that has more enlightened views on social issues, such as LGBTQ representation and abortion, which are an anathema to Benedict. ("An intrinsic moral evil" was the way Benedict described homosexuality.) For Francis, the church needs to be closer to the people. "I prefer a church which is bruised, hurting, and dirty because it has been out on the streets," says Bergoglio, "rather than a church which is unhealthy from being confined and from clinging to its own security."
While McCarten sets up the debate and executes it with witty dialogue, the big question – just why did Benedict choose Bergoglio – is never answered. At one point, he says that he hears the voice of God in what the Argentine cardinal says, but there is no real explanation as to why he embraces someone he disagrees with so vehemently.
The official reason for Benedict's departure was his declining health, which he said reduced his physical and mental prowess; but some have speculated the real reason was the scandal surrounding Pope's butler, Paolo Gabriele, who had leaked confidential documents exposing internal political battles in the Vatican ("Vatileaks" became its media moniker). Of course, the abuse scandal surrounding the Church is the elephant in the room, largely referred to in news reports that occur throughout the film but not by the two men – another curious omission. Instead, the film flashes back to Bergoglio's rise in the Church, his decision during the 1970s to compromise with the repressive junta that ruled Argentina and were responsible for the disappearance of thousands of its citizens. Bergoglio sees that behavior on his part as his greatest moral failing, and it haunts him years later.
These flashbacks inform Bergoglio's character; that there is no similar flashback for Benedict is something of a cheat.
Benedict's pitch makes up the film's liveliest section that takes place in the Sistine Chapel, which is breathtakingly recreated by the production team in Cinecitt� Studios, where the men have a "My Dinner with Andre"-like discussion. The best decision that Meirelles (best-known for the electric "City of God" and "The Constant Gardener") made was casting these seasoned Brits in his leads. Hopkins captures both Benedict's physical frailty and intellectual strength in a role that plays to his autumnal authority. Pryce portrays the Bergoglio with a wry sense of humor and believable humility. They bond, despite their opposing points of view, but it leaves you wondering just why.
Nevertheless, they do, and towards the end Meirelles has the pair eating pizza and watching a soccer game as if they were a couple of bros just hanging out on a Saturday afternoon. That we never find out just why Benedict was called "God's Rottweiler" is, well, stuff for another movie.
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